Dreyer’s “Gertrud,” like the various installments of “The Bachelor” franchise, found much of its drama merely from characters sitting on elegant sofas and talking about their relationships. “Flowers of Shanghai” achieves a similar effect: it’s a film about intercourse work that features no sex.
is about working-class gay youths coming together in South East London amid a backdrop of boozy, toxic masculinity. This sweet story about two high school boys falling in love for that first time gets extra credit rating for introducing a younger generation into the musical genius of Cass Elliott from The Mamas & The Papas, whose songs dominate the film’s soundtrack. Here are more movies with the best soundtracks.
A.’s snuff-film underground anticipates his Hollywood cautionary tale “Mulholland Drive.” Lynch plays with classic noir archetypes — namely, the manipulative femme fatale and her naive prey — throughout the film, bending, twisting, and turning them back onto themselves until the nature of identification and free will themselves are called into query.
, John Madden’s “Shakespeare in Love” is really a lightning-in-a-bottle romantic comedy sparked by among the most assured Hollywood screenplays of its ten years, and galvanized by an ensemble cast full of people at the peak of their powers. It’s also, famously, the movie that conquer “Saving Private Ryan” for Best Picture and cemented Harvey Weinstein’s reputation as among the list of most underhanded power mongers the film business experienced ever seen — two lasting strikes against an ultra-bewitching Elizabethan charmer so slick that it still kind of feels like the work from the devil.
A sweeping adventure about a 14th century ironmonger, the animal gods who live within the forest she clearcuts to mine for ore, as well as doomed warrior prince who risks what’s left of his life to stop the war between them, Miyazaki’s painstakingly lush mid-career masterpiece has long been seen like a cautionary tale about humanity’s disregard for nature, but its true power is rooted less in protest than in acceptance.
Sprint’s elemental course, the non-linear construction of her narrative, and also the sensuous pull of Arthur Jafa’s cinematography Blend to make a rare film of raw beauty — a single that didn’t 4k porn ascribe to Hollywood’s notion of Black people or their cinema.
The second of three low-finances 16mm films that Olivier Assayas would make between 1994 and 1997, “Irma Vep” wrestles with the inexorable presentness of cinema’s earlier in order to help divine its future; it’s a lithe and unassuming piece of meta-fiction that goes the many way back towards the silent era in order to arrive at something that feels completely new — or that at least reminds audiences of how thrilling that discovery could be.
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Nearly 30 years later, “Odd Days” is actually a difficult watch due to onscreen brutality against Black folks and women, and because through today’s cynical eyes we know such footage rarely enacts the change desired. Even so, Bigelow’s alluring and visually arresting film continues to enrapture because it so perfectly captures the misplaced hope of its time. —RD
Navigating lesbian themes was a tricky undertaking in the repressed ecosystem of your early 1960s. But this revenge drama experienced the good thing about two of cinema’s all-time powerhouses, Audrey Hepburn and Shirley MacLaine, while in the leading roles, as well as three-time Best Director Oscar winner William Wyler with the helm.
The magic of Leconte’s monochromatic fairy tale, a Fellini-esque throwback that fizzes along the Mediterranean Coastline with the madcap Vitality of a “Lupin the III” episode, begins with the fact that Gabor doesn’t even check out (the new flimsiness of his knife-throwing act suggests an impotence of the different kind).
Newland plays the kind of games with his possess heart that just one should never do: for instance, In case the Countess, standing over a dock, will turn around evolved fights and greet him before a sailboat finishes passing a distant lighthouse, he will head over to her.
This film follows two teen boys, Jia-han and Birdy as they fall in love from the 1980's just after Taiwan lifted its martial regulation. As the nation transitions from rigorous authoritarianism spangbang to become the most LGBTQ+ friendly country in Asia, the two boys grow and have their love tested.
Ionescu brings with him not only a deft hand at operating the farm, but also an intimacy and romanticism that is spellbinding not only for Saxby, however the viewers as well. It is really truly a must-watch.